The last stage production of Mary Shelley’s Frankenstein I saw was a wonderful experience. The Royal Opera House’s ballet version of the novel was captivating and reflected the text’s themes of pursuit and terror with a striking intensity.[i] I’m always wary of adaptations of things I love, but after my positive experience at the ballet in London, I decided to go along to Mary Shelley’s Frankenstein when I was visiting New York. This new production by Ensemble for the Romantic Century was held in the Pershing Square Signature Center, a lovely venue. But the play itself was a disappointment overall, with only a few redeeming features.
The Shelley Conference takes place in London at Institute for English Studies on the 15th and 16th of September. The keynote speakers are Prof. Nora Crook, Prof Kelvin Everest and Prof. Michael O’Neill. The conference is open to everyone - which is just how Shelley would have liked it. He would have also liked the fact that he and his wife are treated as co-equals and creative collaborators. I myself am honoured to be part of the conference and will be speaking on what I call "Romantic Resistance" - Shelley's strategies for opposing political and religious tyrannies. They are surprisingly applicable to our times! Here is co-organizer Anna Mercer on how this amazing conference came
One of the great things about studying Shelley is where it can take you if you are intrepid. In the course of his short life he traveled to Ireland, Wales, Scotland, Devon, France, Switzerland and Italy - and some of the places he visited are among the most sublime and picturesque in Europe. Join Anna Mercer for a trip to Shelley's Mont Blanc!
The Frankenstein exhibition at the Fondation Martin Bodmer in Geneva provides a journey, in which you first encounter the Shelleys’ works, and then the connections within those works to Geneva itself. We are presented with contemporary scenes of Geneva (in order to understand the Swiss town as Mary would have seen it), and the more unchanging forms of the French Alps.
P B Shelley’s ‘Mutability’ can, in this way, promote discussion of the Shelleys’ creative collaboration. What we know of the Shelleys’ history provides evidence for their repeated intellectual interactions, as Mary Shelley’s journal shows an almost daily occurrence of shared reading, copying, writing and discussion. The Shelleys’ shared notebooks (not just the ones containing Frankenstein) also indicate that they would use the same paper to draft, redraft, correct and fair-copy their works.