PERCY BYSSHE SHELLEY
Atheist, Lover of Humanity, Democrat…
This blog will feature reflections on the philosophy, politics and poetry of Percy Bysshe Shelley, a radical thinker who has receded into the shadows. Shelley has the power to enthrall, thrill and inspire. His poetry changed the world and can do so again.
When Shelley famously declared that he was a "lover of humanity, a democrat and an atheist," he deliberately, intentionally and provocatively nailed his colours to the mast knowing full well his words would be widely read and would inflame passions. The words, "lover of humanity", however, deserve particular attention. Shelley did not write these words in English, he wrote them in Greek: 'philanthropos tropos". This was deliberate. The first use of this term appears in Aeschylus’ play “Prometheus Bound”. This was the ancient Greek play which Shelley was “answering” with his own masterpiece, Prometheus Unbound.
Aeschylus used his newly coined word “philanthropos tropos” (humanity loving) to describe Prometheus, the titan who rebelled against the gods of Olympus. The word was picked up by Plato and came to be much commented upon, including by Bacon, one of Shelley’s favourite authors. Bacon considered "philanthropy" to be synonymous with "goodness", which he connected with Aristotle’s idea of “virtue”. Shelley must have known this and I believe this tells us that Shelley identified closely with his own poetic creation, Prometheus. In using the term, Shelley is telling us he is a humanist - a radical concept in his priest-ridden times.
When he wrote these words he was declaring war against the hegemonic power structure of his time. Shelley was in effect saying,
I am against god. I am against the king. I am the modern Prometheus.
And I will steal the fire of the gods and I will bring down thrones and I will empower the people.
Not only did he say these things, he developed a system to deliver on this promise.
As Paul Foot so ably summed it up in his wonderful book, "Red Shelley":
"Shelley was not dull. His poems reverberate with energy and excitement. He decked the grand ideas which inspired him in language which enriches them and sharpen communication with the people who can put them into effect."
It is time to bring him back – we need him; tyrannies, be they of the mind or the world, are phoenix-like and continually threaten to undermine our liberties. Shelley's ideas constitute a tool kit of sorts which have direct applicability to our own times. As did Shelley, we too live in a time when tyrants, theocrats and demagogues are surging into the mainstream.
Eleanor Marx Battles the Shelley Society!
In April of 1888, Eleanor Marx and Edward Aveling delivered a Marxist evaluation of the poet Percy Bysshe Shelley to an institution known as “The Shelley Society”. Composed of some of the giants of the Victorian literary community, the Society undertook research, hosted speeches, spawned local affiliates, republished important articles and poems (some for the first time!) and even produced Shelley’s The Cenci for the stage. But the Shelley Society was also a vehicle seemingly designed to obliterate Shelley’s left-wing politics. This article examines why the Shelley Society came into being and how it influenced the reception of Shelley for generations to come. Go behind the scenes with me as Eleanor Marx battles the forces of the male, bourgeois, Victorian literary establishment.
Shelleyan Top Ten Moments - 2017
Welcome to my inaugural, year end "Shelleyan Top Ten" list. The eligibility criteria for an appearance on this list is pretty straight forward (and subjective!) First the event or occurrence must have contributed to raising the awareness of Percy Bysshe Shelley among the general public. Second, it also needs to have come to my attention - which is not omniscient (this means my list is not necessarily definitive!). Finally, I also have ranked on the basis of whether the moment was unusual or unexpectedly brilliant.
In any event, these sorts of lists are supposed to be fun and are designed to provoke debate and conversation. So let the discussion begin.
The Revolutionary Percy Shelley in His Time and Ours
"I am a lover of mankind, a democrat and an atheist."When Shelley wrote these words in the hotel register at Chamonix, he was, as PMS Dawson has suggested deliberately, intentionally and provocatively “nailing his colours to the mast”. He knew full well people would see these words and that they would inflame passions. The words, however may require some context and explanation. Many people have sought to diminish the importance of these words and the circumstances under which they were written. Some modern scholars have even ridiculed him. I think his choice of words was very deliberate and central to how he defined himself and how wanted the world to think of him. They may well have been the words he was most famous (or infamous) for in his lifetime.
The Truth Matters - a Review of Haifaa al-Mansour's Movie, Mary Shelley
Haifaa Al-Mansour’s new movie Mary Shelley premiered at the Toronto International Film Festival on 9 September 2017. For those anticipating a nuanced, balanced and careful study of the relationship between two of the world’s authentic literary geniuses, Mary and Percy Shelley, I am sorry, you will be disappointed. For all of its pretensions, this movie seems pitched as a sort of thinking person’s Twilight or maybe Beauty and the Beast: two hot, beautiful young people with perfect skin and hair are thrust together by chance, torn apart by circumstance only to be at last happily reunited. It is riddled with factual errors and the plot involves an almost complete rewrite of history. The real Percy and Mary, as depicted in Mary Shelley are essentially props whose lives may be casually rearranged to allow Al-Mansour and her screenwriter to concoct a myth about the creation of Frankenstein. Were the movie to carry a warning, “based on a true story”, it would not go far enough. Mary and Percy have been done a disservice. The true story of Mary, Percy and Frankenstein deserves to be told – but it will await yet another day.
The Shelley Conference - London, 15-16 September 2017
On Friday and Saturday the 15th and 16th of September, in London, the Centre for Eighteenth Century Studies at University of York, is presenting a two day conference that celebrates the writings of Percy Bysshe Shelley and Mary Wollstonecraft Shelley. I will be speaking at this conference on the topic of "Romantic Resistance". My presentation will demonstrate how Shelley’s politics, his philosophical skepticism and his theory of the imagination combine to offer some potent solutions for the troubles of the early 21st Century. Given recent events, it is time that we cast a fresh eye on romantic, specifically Shelleyan, theories of resistance.
Pecksie and the Elf. What's in a Pet Name?
Percy Bysshe Shelley and Mary Wollstonecraft Shelley, like almost everyone else on the planet, had pet names for one another. She was "Pecksie" and he was "Elf". PB's use of the name "pecksie" has actually attracted controversy. To find out why, I dug into the circumstances in which these names were used and the fascinating origin of "pecksie". Buckle up!
1816: The Message of Diodati
Percy and Mary Shelley joined Byron in Geneva for part of the summer of 1816. They spent much of their time at Byron's residence: the Villa Diodati. It was there that some of the most important ideas of the Romantic era were conceived. Can we distill one of the core principles? I think we can. Join me for the first installment of my exploration the life and times of the extraordinary Percy Bysshe Shelley. Episode One - 1816: The Message Of Diodati
My Father's Shelley; a Tale of Two Shelleys
My father’s Shelley, as I VERY quickly discovered, was very different from mine. He loved the lyric poet. He loved the Victorian version. He loved Mary’s sanitized version. In a weird way he bought into Mathew Arnold's caricature of Shelley (“a beautiful and ineffectual angel, beating his wings in a luminous void in vain.”) – and loved him the more for it. He hated the idea that Shelley was a revolutionary.