Guest Contributor, The Revolutionary Shelley, Oliver
Graham Henderson
What Shelley Means to Me

Allow me to introduce you to Oliver. Oliver popped up one day on my twitter feed. Oliver’s pronouns are they/their and they are a high school student living in Michigan. Oliver has an incredible passion for poetry and Shelley in particular. Oliver started asking for book recommendations - and they devoured them. They started doing research and bringing new findings and perspectives to our twitter feeds. Oliver started engaging with a large cross-section of the online Shelley community - ranging from amateur fans to some of the most respected academic authorities in the world!

What Shelley Means to Me
Ciaran O'Rourke, The Revolutionary Shelley, Rosa Luxemburg
Graham Henderson
Shelley in a Revolutionary World

There’s something in the Romanticism of Percy Shelley that seems always on the verge of breaking down the gate-posts of history and gusting into our world. The archival shackles in which the academic humanities prefer to keep their spectral versifiers and yawping hobgoblins enclosed seem especially frangible and ill-suited to the reluctant baronet’s “sword of lightning, ever unsheathed, which consumes the scabbard that would contain it.” Shelley is present in our efforts to meet and counteract the predicaments of our moment (from the mendacious mis-rule of government elites to the devastation of natural habitats for profit) in a way that Wordsworth, scrummily in awe of Nature and his own perception of it, is not – or at least, not so fluently.

Shelley in a Revolutionary World
Eleanor Marx, Shelley's Socialism, Guest Contributor
Graham Henderson
Eleanor Marx Speaks!!! "Shelley's Socialism"

This is a Marxist evaluation of the poet Percy Bysshe Shelley by Eleanor Marx and Edward Aveling. It was delivered as a speech to the Shelley Society in April of 1888. This is the only complete and authoritative version of the speech that is available on line. It is almost impossible to find in a printed format.

Eleanor Marx Speaks!!! "Shelley's Socialism"
Paul Bond, Shelley's Radicalism, Guest Contributor
Graham Henderson
The Peterloo Massacre and Percy Shelley by Paul ...

Paul Bond’s essay is nothing less than a tour de force encapsulating and documenting Shelley’s reception by the radicals of his own era down to those of today. His article is wonderfully approachable, sparkles with erudition and introduces the reader to almost the entire radical dramatis personae of the 19th Century. I think it is vitally important for students of PBS to understand his radical legacy. And who better to hear this from than someone with impeccable socialist credentials: Paul Bond.

The Peterloo Massacre and Percy Shelley by Paul Bond
Anna Mercer, Mary & Percy, Guest Contributor
Graham Henderson
‘Your sincere admirer’: the Shelleys’ Letters ...

The Shelleys’ collaborative literary relationship never had a constant dynamic: as with the nature of any human relationship, it changed over time. In Dr. Anna Mercer’s research she aims to identify the shifts in the way in which the Shelleys worked together, a crucial standpoint being that collaboration involves challenge and disagreement as well as encouragement and support. Dr. Mercer suggests despite speculation about an increasing emotional distance between Mary and Percy, the shift in collaboration is not so black-and-white as to reduce the Shelleys’ relationship to one simply of alienation in the later years of their marriage.

‘Your sincere admirer’: the Shelleys’ Letters as Indicators of Collaboration in 1821

John Keats

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Keats’s Ode To Autumn Warns About Mass Surveillance

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Keats’s Ode To Autumn Warns About Mass Surveillance

John Keats’s ode To Autumn is one of the best-loved poems in the English language. Composed during a walk to St Giles’s Hill, Winchester, on September 19 1819, it depicts an apparently idyllic scene of harvest home, where drowsy, contented reapers “spare the next swath” beneath the “maturing sun”. The atmosphere of calm finality and mellow ease has comforted generations of readers, and To Autumn is often anthologised as a poem of acceptance of death. But, until now, we may have been missing one of its most pressing themes: surveillance.

 

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